"Split cassette, shared by Aldo Benítez and Ismael Pinkler, two fonts of weirdness now spouting from the Argentinian underground.
The Benítez side is a stew of vocal glides, flabby sequencer spew and struggles with darkness. It unrolls like an epic tapestry, although no one can figure out what the hell´s going on inside it.
Perversely, the side by composer Pinkler is the more `pop´ of the two. He uses a lot of known material as source, and even he renders them unidentifiable, the actuality of pop construction remains subconsciously evident. You just can´t hide that stuff"